special issue

Andrzej Wajda i Andrzej Łapicki na planie filmu "Wszystko na sprzedaż", fot. Renata Pajchel,

Mirrors and Networks. Interlacing Narratives and Narrative Planes in “Everything for Sale” and “Sweet Rush” by Andrzej Wajda

When Andrzej Wajda made Everything for Sale (Wszystko na sprzedaż) in 1968, he yet again found himself embroiled in a debate about cinema’s transformation and new paths for its development… Czytaj więcej »Mirrors and Networks. Interlacing Narratives and Narrative Planes in “Everything for Sale” and “Sweet Rush” by Andrzej Wajda