{"id":7861,"date":"2024-07-31T16:34:17","date_gmt":"2024-07-31T15:34:17","guid":{"rendered":"https:\/\/pleograf.pl\/?page_id=7861"},"modified":"2024-09-25T23:31:19","modified_gmt":"2024-09-25T22:31:19","slug":"nosniki-1-2024","status":"publish","type":"page","link":"https:\/\/pleograf.pl\/index.php\/nosniki-1-2024\/","title":{"rendered":"No\u015bniki (1\/2024)"},"content":{"rendered":"<h4><img loading=\"lazy\" decoding=\"async\" class=\"alignnone  wp-image-7936\" src=\"https:\/\/pleograf.pl\/wp-content\/uploads\/2024\/09\/okladka-242x300.jpg\" alt=\"\" width=\"303\" height=\"376\" style=\"border: 1px solid #d3d3d3;\" srcset=\"https:\/\/pleograf.pl\/wp-content\/uploads\/2024\/09\/okladka-242x300.jpg 242w, https:\/\/pleograf.pl\/wp-content\/uploads\/2024\/09\/okladka-768x951.jpg 768w, https:\/\/pleograf.pl\/wp-content\/uploads\/2024\/09\/okladka.jpg 794w\" sizes=\"auto, (max-width: 303px) 100vw, 303px\" \/><\/h4>\r\n<h4>\u00a0 \u00a0 <a href=\"https:\/\/pleograf.pl\/wp-content\/uploads\/2024\/09\/pleograf_1-2024mal.pdf\">POBIERZ CA\u0141Y NUMER W PDF<\/a><\/h4>\r\n<div class=\"wp-block-buttons\"><hr class=\"wp-block-separator has-alpha-channel-opacity is-style-dots\" \/>\r\n<p><!-- \/wp:post-content -->\r\n\r\n<!-- wp:paragraph --><\/p>\r\n<p><strong>Wprowadzenie<\/strong><\/p>\r\n<p><!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph --><\/p>\r\n<p>&nbsp;<\/p>\r\n<p><!-- \/wp:paragraph -->\r\n\r\n<!-- wp:buttons --><\/p>\r\n<div class=\"wp-block-buttons\"><!-- wp:button -->\r\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/pleograf.pl\/index.php\/nosniki-wstep\/\" target=\"_blank\" rel=\"noreferrer noopener\">HTML<\/a> \u00a0 \u00a0 <a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/pleograf.pl\/wp-content\/uploads\/2024\/09\/001-pleograf_1-2024-1.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">pdf<\/a><\/div>\r\n<\/div>\r\n<h3><em><!-- \/wp:button -->\r\n\r\n<!-- wp:separator {\"className\":\"is-style-dots\"} --><\/em><\/h3>\r\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-dots\" \/>\r\n<h3><em><!-- \/wp:separator -->\r\n\r\n<!-- wp:paragraph --><\/em><\/h3>\r\n<h3><em>W KINIE<br \/><\/em><\/h3>\r\n<\/div>\r\n<p>&nbsp;<\/p>\r\n<p><strong>W\u0105skie gard\u0142o rozpowszechniania. Obieg film\u00f3w pe\u0142nometra\u017cowych na ta\u015bmie 16mm w polskich kinach w latach 1950-1980<\/strong><\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p><span class=\"TextRun SCXW252225164 BCX0\" lang=\"PL-PL\" xml:lang=\"PL-PL\" data-contrast=\"auto\"><span class=\"NormalTextRun SpellingErrorV2Themed SCXW252225164 BCX0\">Konrad Klejsa<\/span><\/span><span class=\"EOP SCXW252225164 BCX0\" data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335559739&quot;:160,&quot;335559740&quot;:360}\">\u00a0<\/span><\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:buttons -->\r\n<div class=\"wp-block-buttons\"><!-- wp:button -->\r\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/pleograf.pl\/index.php\/waskie-gardlo-rozpowszechniania\/\" target=\"_blank\" rel=\"noreferrer noopener\">HTML<\/a> \u00a0 \u00a0 \u00a0<a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/pleograf.pl\/wp-content\/uploads\/2024\/09\/002-pleograf_1-2024.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">pdf<\/a><\/div>\r\n<!-- \/wp:button -->\r\n\r\n<!-- wp:button \/--><\/div>\r\n<!-- \/wp:buttons -->\r\n\r\n<!-- wp:separator {\"className\":\"is-style-dots\"} --><hr class=\"wp-block-separator has-alpha-channel-opacity is-style-dots\" \/><!-- \/wp:separator -->\r\n\r\n<!-- wp:paragraph -->\r\n<p><strong>Roman Trzeszewski \u2013 terenowy korespondent Polskiej Kroniki Filmowej w Katowicach<\/strong><\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p><span class=\"TextRun SCXW62009738 BCX0\" lang=\"PL-PL\" xml:lang=\"PL-PL\" data-contrast=\"auto\"><span class=\"NormalTextRun SCXW62009738 BCX0\">Marek Cie\u015bli\u0144ski<\/span><\/span><\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:buttons -->\r\n<div class=\"wp-block-buttons\"><!-- wp:button -->\r\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/pleograf.pl\/index.php\/roman-trzeszewski\/\" target=\"_blank\" rel=\"noreferrer noopener\">HTML<\/a> \u00a0 \u00a0 <a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/pleograf.pl\/wp-content\/uploads\/2024\/09\/003-pleograf_1-2024.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">pdf<\/a><\/div>\r\n<!-- \/wp:button -->\r\n\r\n<!-- wp:button \/--><\/div>\r\n<!-- \/wp:buttons -->\r\n\r\n<!-- wp:separator {\"className\":\"is-style-dots\"} --><hr class=\"wp-block-separator has-alpha-channel-opacity is-style-dots\" \/><!-- \/wp:separator -->\r\n\r\n<!-- wp:paragraph -->\r\n<p><strong>Polskie kina w czasie epidemii (2020-2022)<\/strong><\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p><span class=\"TextRun SCXW39930798 BCX0\" lang=\"PL-PL\" xml:lang=\"PL-PL\" data-contrast=\"auto\"><span class=\"NormalTextRun SCXW39930798 BCX0\">Konrad Burandt<\/span><\/span><\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:buttons -->\r\n<div class=\"wp-block-buttons\"><!-- wp:button -->\r\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/pleograf.pl\/index.php\/polskie-kina-w-czasie-epidemii-2020-2022\/\" target=\"_blank\" rel=\"noreferrer noopener\">HTML<\/a> \u00a0 \u00a0 <a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/pleograf.pl\/wp-content\/uploads\/2024\/09\/004-pleograf_1-2024.pdf\">pdf<\/a><\/div>\r\n<!-- \/wp:button -->\r\n\r\n<!-- wp:button \/--><\/div>\r\n<!-- \/wp:buttons -->\r\n\r\n<!-- wp:separator {\"className\":\"is-style-dots\"} -->\r\n<p>&nbsp;<\/p>\r\n<hr \/>\r\n<h3><em>NA KASECIE<\/em><\/h3>\r\n<p>&nbsp;<\/p>\r\n<p><strong><em>Tekturowy Patrick Swayze stoi w k\u0105cie.<\/em> Polskie wypo\u017cyczalnie kaset wideo w czasie transformacji<\/strong><\/p>\r\n<!-- \/wp:separator -->\r\n\r\n<!-- wp:paragraph -->\r\n<p>Grzegorz Fortuna-Skowron<\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:buttons -->\r\n<div class=\"wp-block-buttons\"><!-- wp:button -->\r\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/pleograf.pl\/index.php\/tekturowy-patrick-swayze\/\" target=\"_blank\" rel=\"noreferrer noopener\">HTML<\/a> \u00a0\u00a0 \u00a0<a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/pleograf.pl\/wp-content\/uploads\/2024\/09\/005-pleograf_1-2024.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">pdf<\/a><\/div>\r\n<!-- \/wp:button -->\r\n\r\n<!-- wp:button \/--><\/div>\r\n<!-- \/wp:buttons -->\r\n\r\n<!-- wp:separator {\"className\":\"is-style-dots\"} --><hr class=\"wp-block-separator has-alpha-channel-opacity is-style-dots\" \/><!-- \/wp:separator -->\r\n\r\n<!-- wp:paragraph -->\r\n<p><strong>Problem piractwa na rynku wideo w polskiej prasie pocz\u0105tku lat 90.<\/strong><\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p>Szymon Makuch<\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:buttons -->\r\n<div class=\"wp-block-buttons\"><!-- wp:button -->\r\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/pleograf.pl\/index.php\/problem-piractwa-na-rynku-wideo-w-polskiej-prasie-poczatku-lat-90\/\" target=\"_blank\" rel=\"noreferrer noopener\">HTML<\/a>\u00a0 \u00a0 \u00a0<a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/pleograf.pl\/wp-content\/uploads\/2024\/09\/006-pleograf_1-2024-1.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">pdf<\/a><\/div>\r\n<!-- \/wp:button -->\r\n\r\n<!-- wp:button \/--><\/div>\r\n<!-- \/wp:buttons -->\r\n\r\n<!-- wp:separator {\"className\":\"is-style-dots\"} --><hr class=\"wp-block-separator has-alpha-channel-opacity is-style-dots\" \/><!-- \/wp:separator -->\r\n\r\n<!-- wp:paragraph -->\r\n<p><strong>Praktyki odbiorcze ostatniego pokolenia VHS w Polsce \u2013 raport z badania jako\u015bciowego <\/strong><\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p>Kornel Noco\u0144<\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:buttons -->\r\n<div class=\"wp-block-buttons\"><!-- wp:button -->\r\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/pleograf.pl\/index.php\/praktyki-odbiorcze-ostatniego-pokolenia-vhs-w-polsce-raport-z-badania-jakosciowego\/\" target=\"_blank\" rel=\"noreferrer noopener\">HTML<\/a> \u00a0\u00a0 \u00a0<a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/pleograf.pl\/wp-content\/uploads\/2024\/09\/007-pleograf_1-2024.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">pdf<\/a><\/div>\r\n<!-- \/wp:button -->\r\n\r\n<!-- wp:button \/--><\/div>\r\n<!-- \/wp:buttons -->\r\n\r\n<!-- wp:separator {\"className\":\"is-style-dots\"} --><hr class=\"wp-block-separator has-alpha-channel-opacity is-style-dots\" \/><!-- \/wp:separator -->\r\n\r\n<!-- wp:paragraph -->\r\n<h3><em>ARCHIWUM<\/em><\/h3>\r\n<p><strong>Program rozwoju i zasady upowszechniania wideo w Polsce, przygotowany w lutym 1986 roku przez Departament Ekonomiki i Techniki Filmowej w Ministerstwie Kultury i Sztuki (fragment)<\/strong><\/p>\r\n<p><span class=\"EOP SCXW235635433 BCX0\" data-ccp-props=\"{&quot;134245417&quot;:false,&quot;201341983&quot;:0,&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335559731&quot;:0,&quot;335559739&quot;:0,&quot;335559740&quot;:360}\">opracowanie: Emil Sowi\u0144ski\u00a0<\/span><\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/pleograf.pl\/index.php\/program-rozwoju-i-zasady-upowszechniania-wideo\/\" target=\"_blank\" rel=\"noreferrer noopener\">HTML\u00a0<\/a>\u00a0 \u00a0 \u00a0<a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/pleograf.pl\/wp-content\/uploads\/2024\/09\/008-pleograf_1-2024.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">pdf<\/a><hr \/><\/div>\r\n<div>\u00a0<\/div>\r\n<div>\r\n<h3><em>PAMI\u0118TNIK<\/em><\/h3>\r\n<div>\r\n<div><strong>Pami\u0119tniki ogl\u0105dania &#8211; opis projektu<\/strong><\/div>\r\n<div>\u00a0<\/div>\r\n<div>oprac. Konrad Klejsa<\/div>\r\n<div>\u00a0<\/div>\r\n<div><!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/pleograf.pl\/index.php\/pamietniki-ogladania-opis-projektu\/\" target=\"_blank\" rel=\"noreferrer noopener\">HTML\u00a0<\/a>\u00a0 \u00a0 \u00a0<a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/pleograf.pl\/wp-content\/uploads\/2024\/09\/009-pleograf_1-2024_opis.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">pdf<\/a><\/div>\r\n<div>\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n<div>\u00a0<\/div>\r\n<strong>Repertuar losowy<\/strong><\/div>\r\n<div>\u00a0<\/div>\r\n<div>Olga Drenda<\/div>\r\n<div>\u00a0<\/div>\r\n<div><!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/pleograf.pl\/index.php\/repertuar-losowy\/\" target=\"_blank\" rel=\"noreferrer noopener\">HTML\u00a0<\/a>\u00a0 \u00a0 \u00a0<a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/pleograf.pl\/wp-content\/uploads\/2024\/09\/009-pleograf_1-2024_drenda.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">pdf<\/a><hr \/><\/div>\r\n<div>\u00a0<\/div>\r\n<\/div>\r\n<h3 class=\"wp-block-button\"><em>WYWIAD<\/em><\/h3>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:button \/-->\r\n\r\n<!-- wp:paragraph -->\r\n<p><strong><em>Moja metoda polega na dekonstrukcji materia\u0142\u00f3w \u017ar\u00f3d\u0142owych.<\/em> Z Maciejem Drygasem rozmawia<\/strong> Micha\u0142 Dondzik<\/p>\r\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/pleograf.pl\/index.php\/moja-metoda\/\" target=\"_blank\" rel=\"noreferrer noopener\">HTML\u00a0<\/a> \u00a0\u00a0 \u00a0<a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/pleograf.pl\/wp-content\/uploads\/2024\/09\/010-pleograf_1-2024-1.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">pdf<\/a><\/div>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:button -->\r\n<p>&nbsp;<\/p>\r\n<hr \/>\r\n<h3><em>KSI\u0104\u017bKA<\/em><\/h3>\r\n<p><b>Widma i mokrad\u0142a nowej humanistyki.<\/b><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335559739&quot;:160,&quot;335559740&quot;:360}\">\u00a0<\/span><\/p>\r\n<p style=\"text-align: justify;\"><span style=\"font-size: 11.0pt; color: black;\">Recenzja ksi\u0105\u017cki Justyny Hanny Budzik, <i>Polski film i fotografia nowego wieku na tle kultury wizualnej. Widma, antropocienie, sztandary<\/i> <\/span><\/p>\r\n<p><span class=\"TextRun SCXW142197211 BCX0\" lang=\"PL-PL\" xml:lang=\"PL-PL\" data-contrast=\"auto\"><span class=\"NormalTextRun SCXW142197211 BCX0\">\u0141ukasz Kie\u0142pi\u0144ski<\/span><\/span><\/p>\r\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/pleograf.pl\/index.php\/widma-i-mokradla-nowej-humanistyki\/\" target=\"_blank\" rel=\"noreferrer noopener\">HTML\u00a0<\/a> \u00a0\u00a0 \u00a0<a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/pleograf.pl\/wp-content\/uploads\/2024\/09\/011-pleograf_1-2024.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">pdf<\/a><\/div><!-- \/wp:button -->","protected":false},"excerpt":{"rendered":"<p>\u00a0 \u00a0 POBIERZ CA\u0141Y NUMER W PDF Wprowadzenie &nbsp; HTML \u00a0 \u00a0 pdf W KINIE &nbsp; W\u0105skie gard\u0142o rozpowszechniania. Obieg film\u00f3w pe\u0142nometra\u017cowych na ta\u015bmie 16mm w polskich kinach w latach 1950-1980 Konrad Klejsa\u00a0 HTML \u00a0 \u00a0 \u00a0pdf Roman Trzeszewski \u2013 terenowy korespondent Polskiej Kroniki Filmowej w Katowicach Marek Cie\u015bli\u0144ski HTML \u00a0 \u00a0 pdf Polskie kina&hellip;&nbsp;<a href=\"https:\/\/pleograf.pl\/index.php\/nosniki-1-2024\/\" class=\"\" rel=\"bookmark\">Czytaj wi\u0119cej &raquo;<span class=\"screen-reader-text\">No\u015bniki (1\/2024)<\/span><\/a><\/p>\n","protected":false},"author":7,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_monsterinsights_skip_tracking":false,"neve_meta_sidebar":"full-width","neve_meta_container":"","neve_meta_enable_content_width":"on","neve_meta_content_width":100,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":"","footnotes":"","_ppma_block_editor_authors":""},"ppma_author":[161],"class_list":["post-7861","page","type-page","status-publish","hentry"],"aioseo_notices":[],"aioseo_head":"\n\t\t<!-- All in One SEO 5.0.4 - aioseo.com -->\n\t<meta name=\"description\" content=\"POBIERZ CA\u0141Y NUMER W PDF Wprowadzenie HTML pdf W KINIE W\u0105skie gard\u0142o rozpowszechniania. 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